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Review of: Negerschlampe

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On 10.10.2020
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Peter Cushing as Gustav. The always reliable Peter Cushing doesn't play a heroic role this time around. Ultimately, Gustav works with Maria's boyfriend Anton to stop Karnstein, but that doesn't absolve him from his earlier acts of horror.

It's a complex character and Cushing is fully up to the task. Considering that their voices were dubbed, the Collinson twins give respectable performances.

The sisters famously became the first Playmate twins in Playboy. Director John Hough directs with a sure hand, pacing the story well and maintaining the expected Hammer atmosphere using the same set as Vampire Circus.

Cushing as Victor Frankenstein. Three years after Twins of Evil , Peter Cushing reprised his role as Dr. Victor Frankenstein for the six and last time.

The film's opening scenes focus on handsome surgeon Simon Helder Shane Briant , who has been studying Frankenstein's experiments.

Unfortunately, his grave-robbing endeavors get him arrested and sentenced to an insane asylum for five years. The good news is that the institution's resident physician, Dr.

Victor, turns out to be none other than Baron Frankenstein! Frankenstein wants to transplant the brain of a genius into the body of an almost Neanderthal man.

His work, though, has been constrained by his crippled hands. Helder eagerly agrees to perform the operation under Frankenstein's instruction.

Of course, to get a genius's brain, Victor might have to resort to murder. Prowse as the ape-like Monster. The brain transplant idea was explored much better in the previous--and much superior-- Frankenstein Must Be Destroyed The latter, by the way, may be why some critics consider this film to be a black comedy.

Hammer apparently wanted to make Briant into a star, but he clearly lacks the charisma to anchor a film on his own. As the monster, Dave Prowse who would later embody Darth Vader is limited by a mask that restricts facial movement.

It's easily the worst-looking monster that Hammer put on screen in its long history. What inspired you to write Cary Grant: A Brilliant Disguise?

He kept it for about five months in , when he was 14 years old. There is no mention of his mother, one or two passing references to his father.

Especially the music hall. What struck me was how self-contained he was, and how indifferent he was to any family or society expectations.

He was a street kid. Later that year, he made his break by getting kicked out of school and apprenticing with a troupe of acrobats.

Given his looks, it was a perfectly rational decision. Also, it was a way of building a barrier between himself and his beginnings.

If so, what drove this change? It was a combination of LSD and quitting show business. When he retired at the age of 62, he no longer had to worry about being exposed as an imposter, which I think was an ongoing cause of anxiety.

What do you think would have been the impact on his career had he accepted riskier roles? Cary Grant in None But the Lonely Heart.

But he was psychologically conservative. Once he established a persona and discovered how the public liked to see him, he rarely None But the Lonely Heart, Father Goose , etc.

He had his reasons, and they had to do with his psychological needs. It was a classic tradeoff: we give you all this money and in return you do what we want you to do.

The system began to change in the s, with people like Burt Lancaster taking almost complete control of what they did. And Grant moved into production late in that decade, but that was about keeping more money, not creative experimentation.

I love To Catch a Thief as a star turn. Among the comedies, Bringing Up Baby and His Girl Friday. And despite the fact that he hated his performance, I love two-thirds of Arsenic and Old Lace if only for his energy and technique, at least until I get exhausted during the last half-hour.

Mayer, Cecil DeMille, and other great actors and filmmakers. Who intrigues you as a future subject for a biography? I find it reduces my energy about a project, the build-up of internal compression I need to write a book.

Suffice it to say that the next one will be about one of the major artists of the 20th century. Monday, January 11, Terence Rattigan's The Browning Version.

Michael Redgrave as Crocker-Harris. After 18 years at a prestigious English boys' school, Andrew Crocker-Harris has accepted a less-stressful position teaching at an institution for "backward boys.

He won't leave as a beloved teacher. The boys refer to him unaffectionately as "The Crock" and privately call him Himmler, a cruel reference to his disciplinary ways.

It's a character study--an engrossing one--and the opening scenes paint a portrait of Crocker-Harris through the eyes of a colleague, his replacement, and a student.

Later, Crocker-Harris reveals personal insights to each of those characters. He confides to his new colleague that he's well aware of his wife's infidelity, but partially blames himself for their disastrous marriage.

He also reveals his failure as a teacher and that he gave up trying to reach his students long ago. Finally, he inadvertently shows his inner emotions to a student who unexpectedly gives him a thoughtful farewell gift.

Nigel Patrick as a colleague. Rattigan's one-act play ended with Crocker-Harris receiving the gift.

For the film version, Rattigan expands the story, providing the audience with a more complete look at the schoolmaster's likely future.

The film ends with Crocker-Harris addressing a school assembly and departing from his prepared speech. Acclaimed British film and stage actor Eric Portman played Crocker-Harris when the play opened in the West End.

However, he turned down the opportunity to do the film in Rattigan and director Anthony Asquith then turned to Michael Redgrave, who was just 43 years old.

It was a brilliant decision, for Redgrave breathes life into the ageing schoolmaster. He captures the "look" of a man that considers his life a failure as well as little idiosyncrasies such as Crocker-Harris's obsession with punctuality and following rules.

Brian Smith as the student Taplow. Redgrave's supporting cast includes nice turns from Nigel Patrick, as Crocker-Harris's colleague and his wife's lover, and Brian Smith as the student Taplow.

Jean Kent has a difficult role as Millie Crocker-Harris. First, her character is unlikable from the beginning, but she also comes across as too blatantly dismissive of her husband.

A more subtle approach might have come across as more believable. Frankly, it's difficult to see what Millie's lover could ever have seen in such a cruel, self-centered woman.

These are fine actors, but it's hard to imagine anyone being better than Michael Redgrave in the lead role. Posted by Rick29 at AM 1 comments Email This BlogThis!

Share to Twitter Share to Facebook Share to Pinterest. Labels: browning version , michael redgrave , rick29 author , terence rattigan. Monday, January 4, The Five Best Episodes of "Banacek".

Banacek with his trademark cigar. George Peppard starred as free-lance, Boston-based insurance investigator Thomas Banacek in a pilot movie and 16 episodes of Banacek.

He was assisted in each episode by his friend, bookstore owner and researcher Felix Murray Matheson and chauffeur Jay Ralph Manza.

The episodes were typically 75 minutes without commercials and focused on elaborate thefts. Here are our picks for the five best episodes: Stefanie Powers.

An ingenious, yet deceptively simple, crime highlights this episode that also features Stefanie Powers as a guest star. She and series star George Peppard have great chemistry; it's a shame she couldn't return for a second outing.

An added bonus for NFL fans is the brief appearances from real-life former players John Brodie, Ben Davidson, and Deacon Jones.

Margot Kidder. A Million the Hard Way - A Las Vegas casino has one million dollars stolen from a tamper-proof display case in the middle of a busy room with an armed guard on duty.

This may be the most complex caper in the Banacek series. Posted by Rick29 at AM 4 comments Email This BlogThis!

Labels: banacek , five best lists , george peppard , margot kidder , rick29 author , stefanie powers. Thursday, December 31, Top Ten Posts of Labels: rick29 author , top 10 posts of year.

Monday, December 28, Even Elsa's Cute Cubs Can't Redeem an Unnecessary Sequel. With a British cast mostly unfamiliar to American audiences, the movie captured the hearts of moviegoers worldwide with its true-life tale of how Adamson and her husband raised a female lion cub and set her free.

Adamson followed her book with several sequels about Elsa the Lioness and her cubs--so it was inevitable that a follow-up film would be made, too.

Released in , Living Free opens with a lengthy recap of what happened in the first film and even incorporates snippets of John Barry's Oscar-winning score.

A year later, when they returned to the spot where they last saw Elsa, she introduced them to her three cubs. Two of Elsa's cubs. Her hungry orphaned cubs--Jespah, Gop, and Little Elsa--start killing livestock belonging to the local tribes.

George finds an animal preserve willing to take the cubs, but first he and Joy have to capture them. As a sequel to Born Free , Living Free leaves a lot to be desired.

Elsa's frisky cubs are adorable, but one never gets to know them. In the first film, we see Elsa grow up, bond with the Adamsons, and struggle to adapt to the wild.

She was a full-fledged character whereas Jespah, Gop, and Little Elsa are just cute animals. Apparently, he was too expensive or unavailable for the sequel.

I had never hear of her, but she is still performing live shows as of ; here's a link to her web site. Susan Hampshire as Joy Adamson.

Alas, she seems miscast as Joy Adamson, whose steely determination to do right by Elsa dominated the original film.

Posted by Rick29 at AM 2 comments Email This BlogThis! Labels: born free , john barry , living free , rick29 author , susan hampshire. Monday, December 21, Movie-TV Connection Game December Leonardo DiCaprio and Tony Curtis.

It could be anything--two stars who acted in the same movie, two movies that share a common theme, etc. As always, don't answer all the questions so others can play, too.

There is a single best answer for each question. Yes, that's means we're looking for something in particular! John Cleese and Janet Leigh the answer is not Jamie Lee Curtis!

Katharine Ross and Elizabeth Montgomery. Yvette Mimieux and Michael Caine this might be hard. Deborah Kerr and Elsa Lanchester.

Ronald Colman and Rod Taylor. Raymond Burr, Nick Adams, and Russ Tamblyn. Rex Harrison and Lou Costello. Judy Garland and Sean Connery another potential tough one!

Posted by Rick29 at AM 26 comments Email This BlogThis! Labels: movie-tv connection quiz , rick29 author.

Monday, December 14, Seven Things to Know About George Peppard. Peppard in Breakfast at Tiffany's. However, her opinion of him had changed by the time they made Tiffany's : "Boy, he'd gotten rotten.

At the Actors Studio, I'd adored him. He sometimes referred to her as the "Happy Nun" on the set she had made The Nun's Story two years earlier.

George Peppard as Banacek. After Peppard's film career hit a lull, he starred in Banacek , one of the rotating series that aired as part of the NBC Wednesday Mystery Movie in Thomas Banacek was a very successful free-lance insurance investigator who lived in a plush house on Boston's Beacon Hill and had a chauffeur.

In the first season episode "Project Phoenix," Banacek mentioned that he learned "combat judo" in the Marine Corps. Peppard actually served in the Marines from and rose to the rank of corporal.

Peppard and Linda Evans on Banacek. According to TV Guide, George Peppard was the original choice to play Blake Carrington on the TV series Dynasty.

He was replaced by John Forsyte due to "creative differences" with the show's producers interestingly, Linda Evans had been a guest star on Banacek.

Peppard did star in another TV series between Banacek and The A-Team. He portrayed a neurosurgeon in Doctors' Hospital , which lasted 16 episodes on NBC in The show co-starred Zohra Lampert and John Larroquette.

Posted by Rick29 at AM 10 comments Email This BlogThis! Labels: a-team , audrey hepburn , banacek , george peppard , patricia neal , rick29 author , seven things to know.

Monday, December 7, Billy Wilder's The Front Page. Walter Matthau and Jack Lemmon. Hildy Johnson Jack Lemmon has decided to give up his career as the star reporter for the Chicago Examiner after proposing to the love of his life Susan Sarandon.

His publisher, Walter Burns Walter Matthau , doesn't plan to let Hildy quit without a fight. He needs his best newspaper man to cover the hanging of Earl Williams, who has been convicted of killing a cop.

Walter will do pretty much anything to retain Hildy. However, his efforts may prove unnecessary, as Hildy finds it exceedingly difficult to walk away from one last big story.

Made in , The Front Page is the third film version of the Broadway play written by former journalist Ben Hecht and Charles MacArthur.

It was first adapted for the screen in with Pat O'Brien as Hildy and Adolphe Menjou as Burns. There have also been other versions produced for radio, television, and the screen e.

Lemmon as Hildy Johnson. While it's hard to imagine Billy Wilder doing a remake, it's easy to see why the source material appealed to him: Wilder was a reporter in Berlin in the s.

He also thought that previous film versions of Hecht and MacArthur's play were hampered by the censors. Diamond, is peppered with profanity and restores the final famous line from the stage play.

It's not until the closing credits roll that one realizes that most of the action has taken place in the press room at the state penitentiary.

Matthau as Walter Burns. Vincent Gardenia shines as a corrupt sheriff clearly out of his depth. Charles Durning, David Wayne, and Herb Edelman sparkle as Hildy's rivals at other newspapers; Wayne is especially entertaining as a fussbudget that brings his own pink toilet paper to the prison.

Finally, there's Austin Pendleton as Earl, the milquetoast killer who somehow manages to escape during his pre-execution psychological evaluation.

If there's a criticism to be leveled at The Front Page , it's the quality of the female roles. Carol Burnett has a better part as a prostitute who takes pity on Earl--only to be skewered in the newspapers.

The scene in which she faces her "accusers"--the cynical newspaper men in the press room--could have been powerful.

However, Burnett isn't up to the task and one has to wonder why such a gifted comedienne was cast in the film's truly serious role.

Maybe it wasn't called "fake news" back then, but the manipulation of headlines and news stories is nothing new. It's just that most of today's Hildy Johnsons and Walter Burns are on cable television instead of in the newspaper business.

Labels: billy wilder , front page , jack lemmon , rick29 author , walter matthau. The first murder victim and Lou.

Following the huge success of Abbott and Costello Meet Frankenstein , Universal Pictures was anxious to make another horror-comedy with its top stars.

The studio purchased the rights to a screenplay titled Easy Does It , which was originally intended for Bob Hope.

It then cast Boris Karloff as one of the heavies and bestowed the film with the awkward title of Abbott and Costello Meet the Killer, Boris Karloff.

The on-screen title, though, is just Abbott and Costello Meet the Killer , with Karloff's name listed under the title as one of the film's stars.

Karloff as a suspect. Hitomi Tittenfolter, vollbusige Sklavin Hitomi bekommt ihr blass Euter gefoltert. Ich bin eine Sex-Sklavin, Cassandra Nix trifft einen Mann, der ihr Leben für besser und zum schlechten verändert.

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